For example, the short flange focal distance of mirrorless camera mounts makes them easily adaptable to other mount types using readily available adapter rings. Some mounts are more adaptable than others. There are several standard lens mounts, including native DSLR mounts, such as Canon EF and Nikon F mirrorless camera mounts, such as Micro Four Thirds or Sony E and the PL mount found on high-end cinema cameras. One of the fundamental aspects of cinematography is lens selection, so this should be one of the first factors you consider when selecting a camera. These are some of the major factors that you’ll need to consider, along with more practical considerations, such as recording formats, connectivity, and form factor.
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While professional set design, lighting, and shot selection play a significant role in achieving the cinematic look, many camera factors contribute, as well, including image-sensor size, resolution, dynamic range, and color sampling. You also know-perhaps even more so-when something does not look cinematic. So, what does it mean to look “cinematic?” As a moviegoer, your eyes and brain have been trained over the years to know how a film should look. Why are they being selected? What do they offer that make directors, DPs, and producers pick them over others for their productions? When reading interviews, you’ll often discover it’s because the camera could produce cinematic images with high dynamic range that feel “filmic.” When discussing different aspects of digital cinema cameras, you’ll find me constantly referring to film as the reference point. It helps to look at the big boys-the top-of-the-line cameras being used to make major motion pictures. The last thing you want to do is spend your savings on a camera that will only serve as an expensive paperweight until you can afford to outfit it properly.
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In short, before you make your purchase, take a step back and consider the whole package. The price of a camera might look great at first, but what if it needs a separately available electronic viewfinder and shoulder rig to function the way you need it to, or an external recorder to get the highest image quality? Let’s not forget about lenses, extra batteries, and media cards. You also need to be wary of hidden costs. Fortunately, obtaining cinematic results has become increasingly affordable, thanks to the rise in video capabilities of DSLRs and mirrorless cameras, and the decrease in price of larger, professional cameras. If you are a student or relatively new to filmmaking, consider starting with a more affordable option, rather than jumping into the deep end with something that may be overkill for your needs.
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Evaluate Your Needs and Your Budgetīefore considering certain cameras, you must know your needs and your budget.
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Does sensor size matter? What’s the difference between 4:2:0 and 4:2:2? Do I really need a camera that can record 4K? What about raw? We’ll explain the key components that help a camera produce cinematic images, and in doing so, hopefully help you make that all-important decision. Whether you’re a student or a seasoned veteran, selecting the right camera can make your head spin with questions.